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Independent Visitor Guide · Via Appia Antica 110, Roma
Inside San Callisto · Level 2

Crypt of the Popes: the “Little Vatican” Inside San Callisto

One modest tufa chamber, twenty metres underground, held the tombs of nine 3rd-century popes — men elected during the persecutions, several of them martyred in office. Rediscovered in 1854, it is the emotional centre of every San Callisto tour, with St. Cecilia’s original tomb next door.

  • Included in every guided tour — no extra ticket
  • Five original Greek epitaphs still in place
  • St. Cecilia’s crypt is the next stop
  • Rediscovered by de Rossi in 1854
ⓘ Independent guide — not the official site
Interior of the Crypt of the Popes in the Catacombs of San Callisto, with columns and epitaph slabs set in the tufa walls
The Crypt of the Popes — the chamber de Rossi called “the little Vatican”

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The rediscovery

1854: de Rossi finds the lost papal cemetery

For a thousand years the chamber was forgotten. After the last relics were moved to city churches in the 9th century, the Roman catacombs fell out of use, their entrances collapsed or buried under vineyards along the Appian Way. It took Giovanni Battista de Rossi — the founder of Christian archaeology — to read the clues in medieval pilgrim itineraries and a broken marble fragment bearing part of a papal name.

In 1854 his excavation broke into a square room lined with tomb slabs, and the inscriptions told him exactly where he was standing: the official burial chamber of the bishops of Rome from the age of the persecutions. Pope Pius IX came in person to see it. De Rossi's nickname for the find stuck — the little Vatican: a papal necropolis two centuries older than anything visible at St. Peter's. The full story of the complex is on our history page.

9 popesburied in the crypt, per ancient sources
258martyrdom of Sixtus II under Valerian
821St. Cecilia's remains moved to Trastevere
1854de Rossi rediscovers the chamber
The tombs

Who lies in the Crypt of the Popes — and why the epitaphs are in Greek

Nine popes of the 3rd century were buried here, in the decades when leading the Church of Rome was close to a death sentence. Five of their original grave slabs survive in place.

The names you can still read, carved in Greek capitals on marble set into the tufa, are Pontian (deported to the Sardinian mines and died there), Anterus, Fabian (executed at the start of the Decian persecution in 250), Lucius I and Eutychian. Most carry a single title after the name: epi(skopos) — bishop. On Fabian's slab a later hand scratched an abbreviation for martyr. No portraits, no grand tombs: flat slabs closing wall niches, like every other burial in the galleries.

Greek, not Latin, because Greek was the language of the early Roman church — the language of its liturgy, its scriptures and much of its congregation, drawn from the Greek-speaking eastern half of the empire. A Latin epitaph for a Roman bishop would have been the odd choice in the 3rd century.

The most dramatic name is honoured rather than labelled. Sixtus II was seized in this cemetery on 6 August 258, during Valerian's persecution, and killed with four of his deacons. A century later Pope Damasus I placed a long marble poem in the crypt celebrating the martyrs buried around it; your guide will point out the inscription, carved in the elegant lettering of Damasus's calligrapher Filocalus. It is the same Damasus who turned the whole complex into a pilgrimage site — the graffiti of early pilgrims still covers the passage walls nearby, many of them scratching the Christian symbols you meet throughout the catacombs.

Original Greek epitaphs of 3rd-century popes mounted in the Crypt of the Popes
The surviving Greek epitaphs — Pontian, Anterus, Fabian, Lucius I, Eutychian
Columns and altar area inside the Crypt of the Popes, Catacombs of San Callisto
The chamber today: columns and altar added when it became a pilgrimage shrine
Next door

The Crypt of St. Cecilia, patron saint of music

A short passage links the papal chamber to a second famous room: the crypt where St. Cecilia, Rome's patron saint of music, was originally buried. In 821 Pope Paschal I had her remains moved for safekeeping to the basilica of Santa Cecilia in Trastevere, where they still rest — so what you see here is her empty original tomb, which is precisely what makes it affecting.

In the niche lies a white marble figure of a young woman on her side, face turned away, three fingers extended. It is a copy of Stefano Maderno's sculpture of 1600, said to show Cecilia's body exactly as it was reportedly found when her tomb was opened in Trastevere; the original stands under the altar of the Trastevere basilica. On the crypt walls, early medieval frescoes survive — Cecilia in the jewelled dress of a Byzantine noblewoman, praying figures, a head of Christ.

Guides tell her story well: a Roman noblewoman martyred in the 3rd century, associated with music because tradition says she sang to God in her heart at her wedding. True or embroidered, the sequence of empty tomb, statue and faded fresco is the moment many visitors remember most.

On the tour

What you actually see, and how long you get

Both crypts are core stops on the standard route — here is how the visit plays out in practice.

Quick Summary
Quick Summary
Extra ticket?No — the crypt is included in every San Callisto ticket
When on the routeEarly in the tour, after the descent to the second level
Time insideA few minutes in each crypt, with the guide narrating
LightingDim — epitaphs are lit, but give your eyes a moment to adjust
PhotographyProhibited underground, as everywhere in the catacombs
LanguagesTours in EN/IT/ES/FR/DE, roughly every 30 minutes

Source: official site catacombesancallisto.it

Group size and guide quality shape the experience — the guided tours page compares the booking options.

Context

Why are 3rd-century popes here and not at St. Peter's?

The short answer: Roman law, and a Church that was still illegal.

Roman law forbade burials inside the city walls — every cemetery, pagan or Christian, lay along the roads outside. And in the 3rd century Christianity was a persecuted minority: there was no basilica of St. Peter (Constantine began it only around 320), no public Christian building of any kind. The community buried its dead, bishops included, in its legally owned cemetery on the Appian Way — the ground a deacon named Callixtus managed before becoming pope himself.

So Rome effectively has two papal necropolises. The Vatican Grottoes under St. Peter's hold popes from the 4th century onwards, in an imperial-scale setting; the Crypt of the Popes holds their persecution-era predecessors in a plain tufa room. Seeing both in one trip is a striking pairing — our guide to the Vatican “catacombs” explains what is really under St. Peter's and how it differs from a true catacomb.

Frequently Asked Questions

Which popes were buried in the Crypt of the Popes?
Ancient sources record nine 3rd-century popes buried in the chamber. Five original Greek epitaphs survive in place: Pontian, Anterus, Fabian, Lucius I and Eutychian. Sixtus II, killed nearby in 258, is honoured by a later marble inscription commissioned by Pope Damasus I. In total, 16 popes are linked to the wider San Callisto complex.
Can you visit the Crypt of the Popes?
Yes. The crypt is a fixed stop on every standard guided tour of San Callisto — there is no extra ticket and no way to skip it. Entry to the catacombs is only possible with an official guide; see the tickets page for prices and booking.
Where is St. Cecilia’s body now?
In the basilica of Santa Cecilia in Trastevere, Rome. Pope Paschal I had her remains moved there from the catacombs in 821. The crypt in San Callisto where she originally lay is right next to the Crypt of the Popes and is part of the same tour.
Is the St. Cecilia statue in the catacombs the original?
No — it is a copy. Stefano Maderno carved the original in 1600, reportedly showing the saint’s body as it was found; that sculpture is in Santa Cecilia in Trastevere. The copy in the catacomb crypt marks the spot of her original tomb.
Why are the popes’ epitaphs written in Greek?
Because Greek, not Latin, was the working language of the Christian community in Rome through the 3rd century — the language of its liturgy, scriptures and many of its members, who came from the Greek-speaking eastern Mediterranean. Latin only took over gradually in the following century.
Is the Crypt of the Popes worth it compared with other catacombs?
If you can only visit one catacomb, this is San Callisto’s strongest card: no other catacomb open to visitors has a papal burial chamber. Domitilla has an underground basilica and San Sebastiano has pagan mausoleums — the comparison guide weighs all of them.

See the Crypt of the Popes with a guide

Every San Callisto tour includes the papal crypt and St. Cecilia's tomb — book a slot in your language and the guide brings the stones to life. Most options cancel free up to 24 hours ahead.

Book the guided tour · from €15